Frank Christian Westphal (June 15, 1889 – November 23, 1948) was an American pianist, Big band leader and composer who recorded in the 1920s, following the end of his marriage to singer Sophie Tucker.
In 1916, though their personal relationship continued, Westphal withdrew from the act, and was instead installed as proprietor of the Sophie Tucker Garage. The business venture failed, and in 1917 he returned to her shows as a separate act, sometimes becoming an unscheduled participant in the act of fellow performers The Marx Brothers. Westphal and Tucker married in October 1917, but Westphal became increasingly discontented with his secondary role onstage.
In 1918 he was drafted into the US Army, where he served as a mechanic.Norman Field, Review of Frank Westphal and his Orchestra, "Oh! Sister, Ain't That Hot!", Rivermont Records; retrieved June 13, 2013. Tucker sued for divorce in 1919, and the marriage was formally dissolved the following year. Armond Fields, Sophie Tucker: First Lady of Show Business, McFarland, 2003, pp.52–91
After leaving the army, Westphal was involved in various bands including the Benson Orchestra of Chicago. In 1921, he became established with his own dance orchestra at the newly opened Rainbo Gardens in Chicago. The open-air venue had a revolving stage to allow for continuous entertainment, table seating for 2,000 patrons, and space on the dance floor for an additional 1,500. Charles A. Sengstock, That Toddlin' Town: Chicago's White Dance Bands And Orchestras, 1900–1950, google.com; accessed May 15, 2017.
Westphal's band became popular for its "crisp, clever arrangements and superb musicianship." Review of Frank Westphal and his Orchestra, Oh! Sister, Ain't That Hot! (1922–1924), rivermontrecords.com; retrieved June 13, 2013. His musicians included, at various times, Charles Burns and Austyn Edwards (trumpets), Herb Winfield (trombone), Bill and Jack Richards (saxophones), John Jensen (tuba) and Earl Roberts (banjo). The band recorded in Chicago for Columbia Records regularly between 1922 and 1924, recording over 50 tracks of which 34 were issued. These included "Bugle Call Rag", "Two Time Dan", and "Oh! Sister, Ain't That Hot!", as well as novelty piano pieces played by Westphal in the style of Zez Confrey and Edward Claypoole such as "Pianola" and "Dusting The Keys", which are "testimonies to his immense skill at the keyboard". Review of "Oh! Sister, Ain't That Hot!", Ragtimers.org; retrieved June 13, 2013.
Westphal did not record after 1924. He formed a new band, the All American Pioneers, and became the studio director of radio station WENR in Chicago, where he performed regularly and remained until the 1930s.R. David Read, Profile: E. Norman Rauland (1898–1975), American Industrialist (pg 6), EarlyTelevision.org, 2007; retrieved June 13, 2013. He was also active as a composer. Among other songs, he wrote, with lyricist Gus Kahn, "When You Come to the End of the Day", later a hit for Perry Como. Billboard (January 17, 1948, page 18); accessed May 15, 2017.
He died in 1948, "Toddle", Kentucky Library & Museum, Southern Kentucky Music Collection; retrieved June 13, 2013. after spending several years in hospital.
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